Dior 745 New Look vs e.l.f. Red Carpet
Dior 745 New Look and e.l.f. Red Carpet are virtually identical (ΔE 1.0); in lightness, saturation and warmth they are nearly indistinguishable.
Colour values
| Dior 745 New Look | e.l.f. Red Carpet | |
|---|---|---|
| Hex | #D30C19 | #D40D14 |
| L* | 44.50 | 44.72 |
| a* | 68.62 | 68.69 |
| b* | 49.61 | 52.04 |
| Chroma | 84.67 | 86.18 |
| Hue angle | 35.87° | 37.15° |
| Undertone | Neutral | Neutral |
| Depth | Medium-deep | Medium-deep |
| Colour family | Red | Red |
| Finish | Satin | Satin |
What the numbers mean: ΔE 1.0 is in the “virtually identical” band (up to 2.0, a difference that is hard to see even side by side). Lightness (L*) differs by 0.2 and chroma by 1.5; the hue angles are 1.3° apart. None of these differences is large enough to name a direction, so the two read alike in lightness, saturation and warmth.
Who they suit
Colour theory suggests Dior 745 New Look works with cool, neutral and warm undertones; its medium-deep depth sits most naturally on medium, tan and deep skin.
Colour theory suggests e.l.f. Red Carpet works with cool, neutral and warm undertones; its medium-deep depth sits most naturally on medium, tan and deep skin.
Last verified . How we measure.